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Classical concerts featuring
Christiane Karg

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Quick overview of musician Christiane Karg by associated keywords

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Upcoming Concerts

Concerts featuring Christiane Karg in season 2024/25 or later

February 20, 2025
Artistic depiction of the event

Gewandhausorchester, Andris Nelsons Dirigent

Thu, Feb 20, 2025, 19:30
Gewandhaus Leipzig, Großer Saal (Leipzig)
Gewandhausorchester (Orchestra), Andris Nelsons (Conductor), Christiane Karg (Soprano)
A lively hunting king scares away the game with his boastful pelvic roar, but demands a solitary violin beauty, beginning a tale of murder, percussion-slaying, grave desecration, miraculous revival through brass chorales, gruesome revenge, and a pompous wedding. Dvořák's music expresses the full spectrum of emotions from thrilling rhythms and orchestral colors to tender harp-woodwind love episodes, dramatic fortissimo fury, dark bass abysses, and uplifting melodies. Mahler's 4th Symphony leads into a hellish heaven three years later, with diabolical otherworldly scenarios humorously conjured by the Wunderhorn song "Das himmlische Leben". While hypocritical saints merrily slaughter, Death grabs a detuned violin from the fiddle-filled sky. After experiencing these fable purgatories and hellish heavens, you might conclude Earth is quite comfortable, especially as it's blessed with Mahler and Dvořák's music.
February 21, 2025
Artistic depiction of the event

Gewandhausorchester, Andris Nelsons Dirigent

Fri, Feb 21, 2025, 19:30
Gewandhaus Leipzig, Großer Saal (Leipzig)
Gewandhausorchester (Orchestra), Andris Nelsons (Conductor), Christiane Karg (Soprano)
A lively hunting king scares away the game with his boastful pelvic roar, but demands a solitary violin beauty, beginning a tale of murder, percussion-slaying, grave desecration, miraculous revival through brass chorales, gruesome revenge, and a pompous wedding. Dvořák's music expresses the full spectrum of emotions from thrilling rhythms and orchestral colors to tender harp-woodwind love episodes, dramatic fortissimo fury, dark bass abysses, and uplifting melodies. Mahler's 4th Symphony leads into a hellish heaven three years later, with diabolical otherworldly scenarios humorously conjured by the Wunderhorn song "Das himmlische Leben". While hypocritical saints merrily slaughter, Death grabs a detuned violin from the fiddle-filled sky. After experiencing these fable purgatories and hellish heavens, you might conclude Earth is quite comfortable, especially as it's blessed with Mahler and Dvořák's music.
February 24, 2025
February 25, 2025
March 3, 2025
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March 29, 2025
March 30, 2025
May 10, 2025
Artistic depiction of the event

Mahler Festival: Budapest Festival Orchestra and Iván Fischer - Mahler's Symphony No. 2

Sat, May 10, 2025, 20:15
Boedapest Festival Orkest, Groot Omroepkoor, Iván Fischer (Conductor), Christiane Karg (Soprano), Anna Lucia Richter (Mezzo-Soprano)
'Mahler's beauty always hurts', conductor Iván Fischer said recently. Tonight he conducts his own Budapest Festival Orchestra in Mahler's Symphony No. 2, full of passion, lyricism and brightly shining melodies. Mahler is in good hands with Fischer and the Budapest Festival Orchestra. Fischer knows like no other how to get Mahler's music flowing, there is no composer he understands better. As early as 2006, Fischer and the orchestra recorded Mahler's Symphony No. 2. 'Impressive', wrote Gramophone.He who calls us gives us eternal life - sings the choir towards the end of Mahler's Symphony No. 2. In this emotionally charged work, Mahler expresses his ideas about life after death. Bliss and melancholy are both given space. Pure, insinuatingly and moving.
May 11, 2025
Artistic depiction of the event

Mahler Festival: Budapest Festival Orchestra and Iván Fischer - Mahler's Symphony No. 2

Sun, May 11, 2025, 11:00
Boedapest Festival Orkest, Groot Omroepkoor, Iván Fischer (Conductor), Christiane Karg (Soprano), Anna Lucia Richter (Mezzo-Soprano)
'Mahler's beauty always hurts', conductor Iván Fischer said recently. Tonight he conducts his own Budapest Festival Orchestra in Mahler's Symphony No. 2, full of passion, lyricism and brightly shining melodies. Mahler is in good hands with Fischer and the Budapest Festival Orchestra. Fischer knows like no other how to get Mahler's music flowing, there is no composer he understands better. As early as 2006, Fischer and the orchestra recorded Mahler's Symphony No. 2. 'Impressive', wrote Gramophone.He who calls us gives us eternal life - sings the choir towards the end of Mahler's Symphony No. 2. In this emotionally charged work, Mahler expresses his ideas about life after death. Bliss and melancholy are both given space. Pure, insinuatingly and moving.
May 27, 2025
Artistic depiction of the event

Budapest Festival Orchestra / Carl-Philipp-Emanuel-Bach-Chor / Iván Fischer

Tue, May 27, 2025, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Budapest Festival Orchestra, Carl-Philipp-Emanuel-Bach-Chor Hamburg, Christiane Karg (Soprano), Anna Lucia Richter (Mezzo-Soprano), Iván Fischer (Conductor)
»Resurrect, yes resurrect, you will!« It is at the end of Mahler’s Second Symphony that the choir vocalises the religiously and philosophically motivated central message of the work with poignant optimism. Performances of the monumental »Resurrection Symphony« remain an impressive event to this day – not only in Hamburg of course, where the composer once had the inspiration for the choral finale in the »Michel« church. How fitting that the Carl Philipp Emanuel Bach Choir, a Hamburg-based orchestra, should now be performing the finale. The manuscript of the work, which lasts around one and a half hours, was auctioned off several years ago for 5.3 million euros. Fortunately, the live experience of hearing the work is a little more affordable – and priceless at the same time. »Resurrect, yes resurrect, you will!« It is at the end of Mahler’s Second Symphony that the choir vocalises the religiously and philosophically motivated central message of the work with poignant optimism. Performances of the monumental »Resurrection Symphony« remain an impressive event to this day – not only in Hamburg of course, where the composer once had the inspiration for the choral finale in the »Michel« church. How fitting that the Carl Philipp Emanuel Bach Choir, a Hamburg-based orchestra, should now be performing the finale. The manuscript of the work, which lasts around one and a half hours, was auctioned off several years ago for 5.3 million euros. Fortunately, the live experience of hearing the work is a little more affordable – and priceless at the same time.